If you peruse the influences that most bands playing “rock” music cite these days, then you’ll find one or all of the following: Led Zeppelin, The Beatles, Cream, Jimi Hendrix. There is no criteria for putting those names on a Facebook profile, and most of the time those nods don’t accurately reflect a group’s true nature. But for Brooklyn-bred duo The London Souls, those artists are embedded deep within their DNA. In fact, guitarist Tash Neal and drummer Chris St. Hilaire had studied those classic-rock architects long before they founded their band.

“I moved to the city when I was a senior in high school,” explains St. Hilaire, who now shares a sibling-like bond with his London Souls co-founder. “Tash was one of the first musicians I met. We were with a small number of kids that were actually jamming and making music. We started jamming together in these little rehearsal rooms where they had beer machines.”

“I forgot about that,” Neal chimes in with a laugh.

Through the informal rehearsals, the duo realized that they had a unique connection. “There weren’t a lot of kids our age who were musicians that took it quite as seriously. We connected to music, spiritually,” Neal says. “We just vibed toward the same stuff and enjoyed each other’s playing.”

The London Souls oscillated between a trio and a quartet in their formative years, before ultimately settling on a largely twopronged attack. The band began touring around the many nooks and crannies of New York City, taking every gig they could. “We played college parties, birthday parties,” Neal says. “We started playing clubs in New York before we were 21.”

While honing their live craft, it became apparent that it was time to officially put something down in the studio. “We recorded as a four-piece, but it was never released,” St. Hilaire says.

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